The latest in an evolution of pre-demolition projects including WRECK CITY and others, PHANTOM WING is currently accepting submissions.


Through a series of large-scale artworks, PHANTOM WING explores the soon to be demolished 1960s wing of the historic King Edward School prior to redevelopment as a multidisciplinary arts hub. A community of 15 artists / collectives are invited to create large-scale installations within the abandoned wing. Artists are encouraged to fully utilize the space and re-appropriate discarded materials when possible. The resulting exhibition will be both an echo and a bang: a reflection and a mirage. In essence, PHANTOM WING proposes the creation of a phantom limb – an event designed to resonate long after the building is severed from its adjoining sandstone counterpart.

PHANTOM WING is independently organized by Artist-Curators:Matthew Mark Bourree, Caitlind r.c. Brown, Jennifer Crighton, Shawn Mankowske & Natalie MacLean, with special thanks toBrandon Dalmer, Andrew Frosst, and John Frosst.

  • ARTISTS INSTALLATION DATES: September 2 – 23, 2013

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It feels like forever since The House Project, but the idea is finally being re-kindled! WRECK CITY: An Epilogue for 809 is essentially a leap from The House Project to The Neighbourhood Project!

WRECK CITY: An Epilogue for 809 is a community-based art experiment transforming 11 houses scheduled for demolition into temporary art, installation, and performance spaces. Eight Artist-Curators will invite 30+ Artists to participate. Artists will be free to radically alter the architecture of entire houses, re-shaping the homes using materials from the houses themselves, without need for repair at the end of the project.

Instigated as an epilogue for 809 Gallery, one of Calgary’s influential pop-up garage galleries (also scheduled for demolition), the project explores Calgary’s demolition addiction, re-imagining the potential of a doomed neighbourhood to become a playful and critically engaging WRECK CITY prior to redevelopment.

WRECK CITY will be open to the public from APRIL 19 – 27, 2013. More information about the location of events will be posted in the upcoming weeks.

Enticed? We’re currently accepting digital submissions! If you’re interested in participating in WRECK CITY, please see our Call for Submissions, Deadline March 9th, 2013.

The House Project feels so long ago already, but the house was only demolished this week. Now the only thing left of 229 10A street is an empty pit.  Having known its fate since before setting foot in the house, and having embraced that impermanence as part of the concept and part its appeal, it struck me as odd how emotionally I reacted to that hole in the earth. Standing close to the fence, I looked down into the space and felt a deep nostalgia for something that was never really ours to begin with… but a space that had still, somehow, felt like home, even if only for a short while.

Then the moment was gone. Wayne Garrett drove up in his squeaky car, and we left the space to be filled with a new house, and a new future.

Ashley Bristowe and Chris Turner commissioned the House Project as a wedding gift for their new neighbors and longtime friends, Sara Simpson and John Johnston. What started as a present became an experiment in re-imagined spaces, and then a vaguer, more poetic statement about the potential in forgotten places and empowering temporary homes for the arts, now.

Who’s to say? For the artists, the freedom behind the House Project lies in the fact that it’s temporary, transient and scheduled for demolition, (hey, we got to tear holes in the walls!) But the essential ideas behind the show may be more lasting…

Interested in hearing more about this perspective? Read Chris Turner’s article called Planning to tear down your house? First, let it be art, published on Mother Nature Network’s website.

Well SURPRISE! This Friday, September 16th from 6 – 8 pm, the House Project will host The House Project Performances, a set of 5 guerrilla theatre pieces, as the very last EVER event at the House Project before it is demolished. Set into the ambiance of flashlights, candles and pre-wrecking ball blues, the House Project Performances are curated by Swallow-a-Bicycle Theatre Company and feature Kyle Hinton, Mark Hopkins, Mark Ikeda, Richard Lee, Ian McFarlane, Charles Netto, Geneviève Paré, Jennifer Roberts and Danielle Wensley.

With just under a week to communicate with the artists, hatch a vision, rehearse and polish a piece, the House Project Performances are a no-pressure experiment in sharing creative projects and re-re-imagining spaces – a real lesson in re-using and recycling! We’re all curiously waiting to see what happens…

Show up on Friday anytime between 6 and 8 pm to see what these folks have created!

Back in time for a moment: the day before the House Project Opened, I slept in a closet. That being said, that closet was lined with mattresses and surrounded by inflatable plastic fish. This is probably the most romantic way a person can become one with their art… which explains why Lane and Danny spent so much time sleeping in their pieces.

These are photos from the day before our show opened. Photos of the finished pieces will be posted in short order… you really had to be there.